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Hip-hop dance : ウィキペディア英語版
Hip-hop dance

Hip-hop dance refers to street dance styles primarily performed to hip-hop music or that have evolved as part of hip-hop culture. It includes a wide range of styles primarily breaking, locking, and popping which were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films ''Breakin''', ''Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces.
The commercialization of hip-hop dance continued into the 1990s and 2000s with the production of several television shows and movies such as ''The Grind'', ''Planet B-Boy'', ''Rize'', ''StreetDance 3D'', ''America's Best Dance Crew'', ''Saigon Electric'', the ''Step Up'' film series, and ''The LXD'', a web series. Though the dance is established in entertainment, including mild representation in theater, it maintains a strong presence in urban neighborhoods which has led to the creation of street dance derivatives Memphis jookin, turfing, jerkin', and krumping.
1980s films, television shows, and the Internet have contributed to introducing hip-hop dance outside of the United States. Since being exposed, educational opportunities and dance competitions have helped maintain its presence worldwide. Europe hosts several international hip-hop competitions such as the UK B-Boy Championships, Juste Debout, and EuroBattle. Australia hosts a team-based competition called World Supremacy Battlegrounds and Japan hosts a two-on-two competition called World Dance Colosseum.
What distinguishes hip-hop from other forms of dance is that it is often "freestyle" (improvisational) in nature and hip-hop dance crews often engage in freestyle dance competitions—colloquially referred to as "battles". Crews, freestyling, and battles are identifiers of this style. Hip-hop dance can be a form of entertainment or a hobby. It can also be a way to stay active in competitive dance and a way to make a living by dancing professionally.
==History==
(詳細はfunk styles. Breaking was created in The Bronx, New York, incorporating dances that were popular in the 1960s and early 1970s in African-American and Latino communities.〔Schloss 2009, p. 153.〕 In its earliest form, it began as elaborations on James Brown's "Good Foot" dance which came out in 1972. Breaking at this period was not primarily floor-oriented as seen today; it started out as toprock which dancers perform while standing up. An influence on toprock was uprock〔Chang 2006, p. 20. "Toprockin's structure and form fuse dance forms and influences from uprocking, tap, lindy hop, James Brown's "good foot," salsa, Afro-Cuban, and various African and Native American dances."〕 which was created in Brooklyn, New York.〔Schloss 2009, p. 14.〕〔Chang 2005, p. 138.〕 Uprock looks similar to toprock, but it is more aggressive and looks like a fight. Uprock is also performed with partners, but in toprock—and in breaking in general—each person takes turns dancing.〔Chang 2006, p. 21. "The structure was different from b-boying/b-girling since dancers in b-boy/b-girl battles took turns dancing, while uprocking was done with partners."〕 In 1973, DJ Kool Herc invented the break beat.〔Chang 2006, p. 19. "DJ Kool Herc, originally from Jamaica, is credited with extending these breaks by using two turntables, a mixer and two of the same records. As DJs could re-cue these beats from one turntable to the other, finally, the dancers were able to enjoy more than just a few seconds of a break! Kool Herc also coined the terms 'b-boy' and 'b-girl' which stood for 'break boys' and 'break girls.' At one of Kool Herc's jams, he might have addressed the dancers just before playing the break beats by saying, 'B-Boys are you ready?! B-Girls are you ready?!' The tension started to mount and the air was thick with anticipation. The b-boys and b-girls knew this was their time to 'go off!'."〕 A break beat is a rhythmic, musical interlude of a song that has been looped over and over again to extend that instrumental solo. Kool Herc did this to provide a means for dancers who attended his parties to demonstrate their skills.〔 B-boy and b-girl stands for "break-boy" and "break-girl"; b-boys and b-girls dance to the break of a record.〔 Further influenced by martial arts〔Chang 2006, p. 20. "Early influences on b-boying and b-girling also included martial arts films from the 1970s."〕 and gymnastics, breaking went from being a purely upright dance style—toprock only—to becoming more floor-oriented.
At the same time breaking was developing in New York, other styles were being created in California. The ''funk styles'' refers to several street dance styles created in California in the 1970s such as roboting, bopping, hitting, locking, bustin', popping, electric boogaloo, strutting, sac-ing, and dime-stopping.〔 Out of all of these dances, boogaloo is one of the oldest. It started out as a 1960s fad dance and was the subject of several songs released during that time such as "Do the Boogaloo" and "My Baby Likes to Boogaloo". From being a fad, it developed into a dance style called electric boogaloo and a music genre called Latin boogaloo. The most popular and widely practiced of the funk styles are locking and popping. The television show ''Soul Train'' played a large role in giving these styles commercial exposure. Both The Lockers and The Electric Boogaloos—dance crews responsible for the spread of locking and popping—performed on this show.
It is historically inaccurate to say that the funk styles were always considered hip-hop. The funk styles were adopted into hip-hop in large part due to the media.〔 Once hip-hop activist and DJ, Afrika Bambaataa, used the word "hip-hop" in a magazine interview in 1982, "hip-hop dance" became an umbrella term encompassing all of these styles.〔 Due to the amount of attention locking and popping were receiving, the media brought these styles under the "breakdance" label causing confusion about their origin.〔Rivera 2003, p. 72. "With the barrage of media attention it received, even terminology started changing. 'Breakdancing' became the catch-all term to describe what originally had been referred to as 'burning', 'going off', 'breaking', 'b-boying', and 'b-girling.' Dance styles that originated in the West Coast such as popping and locking were also grouped under the term 'breakdance.'"〕〔Chang 2006, pp. 18–19. "Although dance forms associate with hip-hop did develop in New York City, half of them (that is, popping and locking) were created on the West Coast as part of a different cultural movement. Much of the media coverage in the 1980s grouped these dance forms together with New York's native dance forms (b-boying/b-girling and uprocking) labeling them all "breakdancing". As a result, the West Coast "funk" culture and movement were overlooked..."〕 They were created on the west coast independent from breaking and were originally danced to funk music rather than hip-hop music.〔〔
As breaking, locking, and popping gained popularity in the 1980s, hip-hop social dancing (party dancing) started to develop. Novelty and fad dances such as the Roger Rabbit, the Cabbage Patch, and the Worm appeared in the 1980s followed by the Humpty dance and the Running Man in the 1990s.〔Pagett 2008, p. 48.〕 The music of the day was the driving force in the development of these dances. For example, the 1980s rap group Gucci Crew II had a song called "The Cabbage Patch" that the dance of the same name was based on.〔Pagett 2008, p. 33.〕 2000s era social dances include the Cha Cha Slide, the Cat Daddy, and the Dougie. The previously mentioned dances are a sample of the many that have appeared since hip-hop developed into a distinct dance style. Like hip-hop music, hip-hop social dancing continues to change as new songs are released and new dances are created to accompany them.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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